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But aside from all that, the Ampex is still a pretty damn good reel-to-reel player, and I just hate seeing beautiful old gear being canabilized in that way. It also wouldn't provide modern amenities such as phantom power and fully regulated DC tube heaters, at least not without having to do a bunch of extra work. So you'd need to do this all twice to get a dual setup! And this single would not really be optimised in terms of layout, ground scheme, noise,Įtc. Even after you go through all the trouble, you're still going to be left with just a single preamp, not a dual. Also, there is a ton of other circuitry in there that gets in the way and is unneeded after the mod, you're for sure going to have to replace all the power supply capacitors anyway, etc., etc. These were constructed on now crufty old first-generation PCBs that are prone to traces lifting from accumulated moisture, and are not particularly amenable to modification.
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And this is before the mod process, which turns out to be not at all straightforward. You can easily pay $1300 or more for one on fleaBay, and what you get will be in uncertain condition. First, the Ampex 351 is now highly sought after, and prices for these units have skyrocketed. So why not just mod one of these, and be done? Well, it turns out that there are a number of good reasons.
#Ampex 351 input transformer how to
In fact, there's a fair amount of documentation online (especially at the Electric Audio forum, courtesy of Greg Norman), describing how to mod one of these units into a preamp. One of the preferred platforms for the mod community has been the amplifier from Ampex 351 reel-to-reel player, as shown above.
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As a tube aficionado, this makes perfect sense to me - in a world now flooded with sterile-sounding ultra-low distortion preamp choices, more and more musicians are realizing that a bit of distortion, of the right kind, can be just the ticket for producing a warm, full sound. Balanced or unbalanced (with or without transformer) the line input signal off slider of the channel 4(or 6) 'goes' to preamp card (pin #4) where it sums with signal of the channel 3(or 5) after mic preamp/mic gain slider) and then 'goes' to the mix amp (A or B, outputs of which are balanced with output transformers inside the 'red circle' ).Īmpex 351 Input Transformer FuseIn any case, Andrew is a big fan of tube microphone preamps based on modification of old Ampex reel-to-reel players. Ampex used several manufacturers for transformers through the years. Looking at an old 351 manuals, it looks like the Ampex part numbers are 1, but if anyone knows what the part numbers from the original equipment manufacturers are, that would be very helpful indeed. The main knobs include parameters for record and playback level, as well as for equalization, and choosing your metering and your input source. Using the Ampex 351 isn't too difficult, but it does have more parameters than you would expect from a vintage piece of gear like this one. However, with Thursday currently on hiatus, Andrew has moved on to audio engineering, and is currently located in Auckland, New Zealand, where is an audio engineer working directly with Neil Finn (of Crowded House fame) at Neil's well-known Roundhead Studios. This mic preamp was commissioned by Andrew Everding, perhaps best known as the keyboard player for the band Thursday. However, I'm working on a new microphone preamplifier project that I'm really excited about, and I hope to document a fairly complete build log here. But details of these just haven't made it to the blog for want of time. Nevertheless, I have been working on some interesting projects, including a cool custom amp that was recently completed and a solid state equalizer. Press question mark to learn the rest of the keyboard shortcuts.I realized today that it's been nearly a year since this blog has been updated, but that doesn't mean that Wombat Amps hasn't been busy! On the contrary, we've now launched an improved web site, I've established a formal Wombat Amps workspace in a building that also houses dozens of bands - as a consequence I've been doing a fair amount of repair work - more than I had really intended actually.
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